I love lyrics and acoustic guitar playing. Through a litany of limitations both mentally and physically I’m unable to emulate my heroes but I’ve never given up. Every once in a while I get inspirited to try harder, Striving not to lose the momentum I write posts here so I and others may revisit the inspirations and give thanks to those who have inspired us. (Forgive the prose, I’ve been reading Charles Dickens).
Today’s inspiration is brought to us from Chris Smither. Having spent some time in New Orleans myself I found “It’s What I Do” spoke to me and my habits of playing guitar for 2 years 25 times now. Check it out around the 7:53 mark of this video.
An added bonus was the discovery of Paste Magazine. Nice bonus.
Anyway, you might be wondering what all this has to do with blues. Well truth be told I moved on from pure blues a long time ago but the URL was too good to let go of. But I hear blues in Chris’s playing. In homage to that era and to prove I still have that to thank for inspiration check out the Chris Smither video at about the 25 minute mark for his take on blues as an inspiration.
Thanks for reading and thanks Chris for the awesome playing, lyrics and inspiration.
Bob Dylan Chronicles Volume 1 is a very enjoyable collection of ramblings by Bob Dylan about his trajectory into a performer and his thoughts and influences along the way. What I found most interesting was the naming of multiple musicians on the “folk scene” and references to traditional folk music. With that in mind I decided to capture some and provide links for further exploration. I hope you buy the book and enjoy this companion post.
Without a doubt Woody Guthrie is the most referenced influence in the book. It’s fascinating how Dylan figuratively follows Woody as an influence up to befriending him and visiting him in in hospital during the end of Woody’s days. Obviously I was off to check out as much Woody Guthrie as I possibly could. I found that in 2013 a 3 CD box set entitled “Woody at 100” was released.
I believe the next most referenced influence may be Dave Van Ronk. I’m not including any spoiler alerts so without going into detail on Van Ronk’s influence or involvement in Dylan’s career I just need to mention that Dave Van Ronk had a huge impact with respect to the revival of folk music, as a facilitator, musician and as the so called “Mayor of MacDougal Street” which was where the “scene” was taking place. The most popular and reflective of the period album by Dave Van Ronk is FolkSinger though “The Mayor of MacDougal Street” compilation released in 2005 may be a more interesting listen with more obscure tracks (notes as rarities in the albums subtitle), There is also a book also entitled “The Mayor of MacDougal Street” which I’m going to check,
John Henry Hammond, a prominent record producer at the time, is also listed as influencing in terms of exposing Dylan to music as well as getting him his first recording contract. Once I started looking into John Hammond the producer I was blown away by the stories. I wrote a separate post detailing just a few of the things we owe thanks to John Hammond for in addition to that first Bob Dylan recording. The references to John Hammond are short but important to the book and Dylan’s success. I highly recommend reading The Producer: John Hammond and the Soul of American Music for an entertaining time learning about John Hammond’s influence over the music we can all enjoy to this day.
Thanks for reading. I’ll add to this post with additional research on the more prominent influences mentioned in the book so please check back.
Open D tuning ( D A D F♯ A D ) has a wonderful sound to it. It is frequently played with capo on the second fret to get open E (apparently easier on the guitar than tuning open E). Blood on the tracks is probably my favorite Bob Dylan album and I’m pretty sure this is what fueled my fondness of open D. Could be a chicken and an egg thing, really not sure.
So with all that said here are my favorite Bob Dylan tunes to play in Open D tuning.
What can you say about SRV. Incredibly talented, incredibly sad. This is simply my favorite acoustic guitar performance of all time.
For the love of music!
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